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Fine Asian Art - Featuring Masterpieces from China, the Himalayas, Japan, Korea, and Vietnam — From the Neolithic Period to Modern Art

October 23, 2025

Featuring Masterpieces from China, the Himalayas, Japan,Korea, and Vietnam — From the Neolithic Period to Modern Art

Dublin, October 2025 — This season’s Asian Art Auction presents a sweeping journey across millennia of artistic creation, uniting masterworks from China, the Himalayas, Japan, Korea, and Vietnam. From Neolithic jade carvings to refined Edo-period prints, the sale celebrates the depth and diversity of Asian creativity.

Among the highlights are Archaic Chinese Jades (Lots34, 39, 52, 53, 56, 58, 137), artifacts that embody the earliest expressions of humanity’s spiritual beliefs. These ritual objects — revered by Neolithic peoples — capture the dawn of cosmological thought. Particularly outstanding is Lot 53, the Jade Pig Dragon, remarkable for its monumental form and exceptional preservation.

Lot 53 - A RARE CELADON AND RUSSET JADE PIG-DRAGON

Another major section features The Ca Mau Shipwreck Collection (Lots 1–31). Discovered off the coast of southern Vietnam in 1998, the wreck dates to the late Kangxi to early Yongzheng reigns (c.1720–1735). The porcelain cargo, mainly Jingdezhen blue-and-white wares, offers rare archaeological evidence of Qing-dynasty maritime trade and the global circulation of Chinese ceramics. The 31 groups presented here come from an important Irish private collection with impeccable provenance.

Lot 31 - EIGHT ‘CRANE AND PINE’ PATTERN BLUE AND WHITE SAUCERS

The Himalayan Art section includes early Tibetan ritual and domestic objects (Lots 165, 194–196, 237–241) such as Thokcha (celestial iron talismans) and Nine Palace Eight Trigram plaques. These sacred items, blending material mystery and cosmological philosophy, reveal the profound spiritual vision of Tibetan Buddhism.

Lot 238 - A GILT-BRONZE NINE-PALACE BAGUA TALISMAN AMULET

This season also introduces a new focus on Korean Art (Lots 304, 313), with refined ceramics and paintings admired for their simplicity, purity, and literati grace.

Lot 313 - A BLUE AND WHITE PORCELAIN STORAGE JAR


Finally, the Japanese Vanity Motif Collection (Lots 381–385) explores the philosophy of impermanence through haunting imagery of skulls and mortality, including Lot 383, inscribed with a celebrated haiku by Matsuo Bashō (1644–1694):

Among the summer grasses —
The remains of soldiers’ dreams —
The shadow of warriors.

Lot 383 - A BAMBOO AND IVORY TONKOTSU (TOBACCO CONTAINER) WITH BAMBOO KISERUZUTSU (PIPE CASE)

 

Special Lecture Event

Across the Blue Waves from Jingdezhen to Dublin: TheVoyage of Blue and White Porcelain

Presented by Miss Li-Chun Hu
Saturday, 8 November, 3:00 PM

Li-Chun Hu is an independent consultant specializing in Chinese ceramics and works of art, based between Taipei, Jingdezhen, and London. With nearly fifteen years of experience advising collectors, museums, and auction houses across Asia, Europe, and North America, her research and curatorial projects bring fresh perspectives to longstanding questions in Chinese art. Drawing on her background in Industrial Design, she shapes both the conceptual and visual identity of exhibitions, bridging scholarship and design with insight and elegance.

Li-Chun Hu

Auction Date: Wednesday, 12 November, 11 AM (Dublin)/ 12 PM (Paris)
Location: 26 St. Stephen’s Green, Dublin 2, D02 X665, Ireland
Paris Preview: 28–31 October, 10 AM–6 PM, 18 rue de la Grange-Batelière,75009 Paris
(Please note that only part of the collection will be exhibited in Paris;contact the Asian Art Department to confirm specific lots.)

Dublin Preview:7-11 November, Adam’s, 26 St.Stephen’s Green, Dublin 2, D02 X665, Ireland

Explore this lot
Dr. Wei Wang
Head of Asian Art

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