Outstanding paintings by Jack B. Yeats from the collection of Vincent and Jacqueline O’Brien, are to be sold by auction on December 4th at Adam’s in Dublin, Ireland
Amongst the highlights from the Vincent and Jacqueline O’Brien Collection is The Horsemen, painted in 1947 by Ireland’s favourite painter, Jack Butler Yeats, a stunning depiction of horse riders set against the iconic backdrop of Ben Bulben.
Estimated at €500,000-€800,000, this masterful painting showcases Yeats’ unparalleled ability to capture the power and grace of horses, a fitting tribute to O’Brien’s own legendary career in racing.
This exceptional collection offered alongside other important Irish paintings represents a rare opportunity for collectors to acquire artworks with significant cultural and historical provenance. This is an unparalleled opportunity to own a part of the O’Brien legacy.
Associated most with his stunning success in both National Hunt and flat racing, Vincent O’Brien, the legendary Co. Cork-born horse trainer, and his wife Jacqueline, a celebrated author and photographer, were also discerning art collectors. Their art collection features a captivating range of paintings, including spectacular works that reflect Vincent’s deep connection with the equestrian world.
Thomas McGreevy, a former Director of the National Gallery of Ireland wrote :
‘There are no lovelier horses in all painting than Jack Yeats’s. They have a miraculous elegance, and he always loved to paint them when they looked as though mere existence was sufficiently exhilarating’.
Stuart Cole, Managing Director of Adam’s has said :
“This auction joins together two legendary Irish figures of the 20th century - Ireland’s greatest painter, painting his favorite subject, horses, and the other, one of the all time greatest Irish horse trainers and breeders, together in a once in a generation combination”.
Special PREVIEWs of the O’Brien paintings, as well as a selection of other important PAINTINGS included in the December auction will take place in:
Belfast 14th – 15th November
London 18th – 20th November
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Yvonne Aupicq had met Orpen, we understand, while working as a nurse during the war. He had been admitted to hospital with a suspected case of scabies which ended up being a far more serious case of blood poisoning as he recounts in his wartime memoir ‘An Onlooker in France’. Their relationship continued after 1918 when Orpen was appointed as the official artist to The Paris Peace Conference. They relocated to capital and over the following decade he painted her numerous times, often nude as in Amiens 1914, or The Rape and Nude Girl Reading (1921). Working with her as his model during these early years after the war allowed Orpen an opportunity to re-fuel his creativity.
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"Beating the bounds is a tradition that can be traced back to the medieval period. At this time, land was divided into parishes and the clergy and church wardens held the responsibility for its upkeep and management. It was up to the Church to ensure that its parishioners knew the local boundary lines and, before maps became commonplace, this had to be kept as a mental record."
Adam’s in conjunction with Suzanne MacDougald are proud to host an online timed auction of artworks to aid the Irish Red Cross’s humanitarian work in delivering vital services to millions of people impacted by the conflict in Ukraine. With no buyers premium 100% of the hammer price will go directly to the Irish Red Cross.
Ros Drinkwater writes of Jack B Yeats' 'The Boat' in the Business Post:
With a consolidated result of €320,000,the At Home sale in Stephan’s Green, was a great success.