menu
Departments
.svg)
Painted in April 1949, Slievenisky was painted only a few months before Colin Middleton moved to Ardglass and was perhaps inspired by an exploratory journey around County Down in search of a suitable place to which to move from Belfast. Having returned to Belfast during the previous summer from a challenging year living in England, Middleton’s development of a more expressive and gestural style of painting had evolved to what was arguably its most experimental point by the winter of that year, when he was taken on by Victor Waddington as a contracted gallery artist.
The broad and expressive handling of paint demonstrates Middleton’s confidence at this period; Waddington’s monthly payments had allowed him to paint full-time and there is a sense of liberation in his work of the late 1940s and early 1950s. Buildings along the hillside are swiftly drawn in with an almost childlike rapidity, surrounded by intersecting flat planes of colour that are recognisable from contemporaneous paintings such as Carnmoney, which almost recall de Stael’s work of the early 1950s.
Slievenisky demonstrates the remarkable originality of Middleton’s work at this time, creating an almost unsettling intensity which characterised his initial engagement with the area around Ardglass, and this style can be seen in other works from early in 1949, such as Landscape with a Red Gable or Landscape with a Baker’s Van. Middleton’s enthusiasm at working with Waddington is clear in these paintings, and they quickly established a very close, but comparatively short-lived friendship, with the former encouraged by his dealer’s ambition and encouragement, but there is an underlying unease of mood that perhaps was affected by the death of Middleton’s mother earlier that year.
Dickon Hall, October 2022
Coming to our salerooms December 7th Important Irish Art
Lot 11
Colin Middleton RHA RUA MBE (1910-1983)
Slievenisky Sky (55)
Oil on canvas, 51 x 61cm (20 x 24")
Signed
Exhibited: Dublin, Irish Exhibition of Living Art, 1949, catalogue number 50
Buying at Auction and the Role of Antiques in a Modern Home
Important Irish Art Auction Highlights
Oliver Dowling Collection by Aidan Dunne
2024 is a year in which Adam’s wants to recognise the key role buying antique furniture and furnishings at auction contributes greatly to the sustainable initiative. In 2019 the Environmental Protection Agency reported stark figures that each year in Ireland 1.2 million reusable bulky items, primarily furniture goes into landfill. Similar to the problem of ‘fast fashion’, the constant production and consumption of new items is leading to rapidly growing waste problem. We want to acknowledge those who are already buying second hand or antique furniture at auction and to encourage new buyers by highlighting the benefits of acquiring affordable, well-made quality items that are built to last.
Irish author, recipe creator and lifestyle influencer, Indy Parsons, selects her favourite pieces from our upcoming Fine Jewellery & Watches auction
.jpg)
Cork-born Irish actress, Sarah Greene, selects her favourite pieces from our upcoming Fine Jewellery & Watches auction
Yvonne Aupicq had met Orpen, we understand, while working as a nurse during the war. He had been admitted to hospital with a suspected case of scabies which ended up being a far more serious case of blood poisoning as he recounts in his wartime memoir ‘An Onlooker in France’. Their relationship continued after 1918 when Orpen was appointed as the official artist to The Paris Peace Conference. They relocated to capital and over the following decade he painted her numerous times, often nude as in Amiens 1914, or The Rape and Nude Girl Reading (1921). Working with her as his model during these early years after the war allowed Orpen an opportunity to re-fuel his creativity.
Editor-in-Chief of IMAGE Publications, Lizzie Gore-Grimes, selects her favourite pieces from our upcoming Fine Jewellery & Watches auction
Our upcoming Fine Jewellery & Watches auction on September 13th features a prime example of Van Cleef & Arpel's renowned 'Mystery Setting'
Our June auction offers a once-in-a-lifetime opportunity to acquire one of the great masterpieces of Irish art and icons of Dublin’s history.
Georgia Chiesa selects some of her favourite lots in the upcoming Vintage Wine & Spirits Auction
"Beating the bounds is a tradition that can be traced back to the medieval period. At this time, land was divided into parishes and the clergy and church wardens held the responsibility for its upkeep and management. It was up to the Church to ensure that its parishioners knew the local boundary lines and, before maps became commonplace, this had to be kept as a mental record."
Adam’s in conjunction with Suzanne MacDougald are proud to host an online timed auction of artworks to aid the Irish Red Cross’s humanitarian work in delivering vital services to millions of people impacted by the conflict in Ukraine. With no buyers premium 100% of the hammer price will go directly to the Irish Red Cross.
Ros Drinkwater writes of Jack B Yeats' 'The Boat' in the Business Post:
With a consolidated result of €320,000,the At Home sale in Stephan’s Green, was a great success.
James Adam & Sons Ltd, Fine Art Auctioneers and Valuers, 26 St. Stephen’s Green, Dublin 2,
D02 X665, Ireland
