

The subject matter of water prominently features in this auction, and in much of the work if Irish artists, highlighting their connection to the land. Crafted in a range of media from oil paints and watercolours to acrylic and gouache, the waterscapes in this auction exhibit the vast scope of Ireland’s terrain. Artists explore water as a feature of Ireland’s geographic and cultural identity.
Letitia Marion Hamilton RHA’s Roundstone, Connemara (lot 5) and Paul Henry RHA’s An Early View of Pullough Bay, Achill (lot 35) join mountains, harbours,villages, and figures, visually uniting the natural world and civilisation. Conversely, William Percy French’s 1896 Horse Drawn Barge on Canal (lot 38) captures the canal’s tranquillity between the city’s bustling streets.

Dating from around 1912–13, An Early View of Pullough Bay, Achill belongs to an important early period in Paul Henry’s career, when he was living on Achill Island and discovering the landscape that would become inseparable from his work. The lively handling of the sky and sea is characteristic of these early paintings. Its history is equally appealing, having remained for many years within the family of its early owner, Hector Boyd Hanna.

Few contemporary Irish artists are as closely associated with the sea as Donald Teskey. In Coastal Landscape, his characteristically strong handling captures the movement of water and the rugged forms of the shoreline. The work continues Teskey’s long fascination with the point at which land meets sea, presenting the Irish coast as both powerful and constantly changing.

Roundstone was a favourite subject for Letitia Marion Hamilton, who returned to the Connemara village repeatedly throughout her career. In this vibrant view, thick passages of paint and flashes of blue, ochre, pink and green give the harbour and surrounding mountains a remarkable sense of movement. Hamilton’s distinctly modern approach brings something fresh and energetic to one of the west of Ireland’s most recognisable landscapes.

Painted in 1896, Horse Drawn Barge on Canal shows another side of William Percy French, an artist celebrated for his sensitive depictions of the Irish landscape. The passing barge and calm surface of the canal evoke a quieter Dublin at the end of the nineteenth century. Its intimate scale and delicate watercolour technique lend the scene the gentle, nostalgic atmosphere for which French remains so admired.
Important Irish Art Auction: Wednesday 23rd September at 6pm
On View 18th - 23rd September at 26 St Stephen's Green, Dublin 2
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John ffrench was an instrumental figure in the design industry in Ireland and a distinguished pioneer of Irish studio pottery.





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"I should declare my hand. I have a weakness for pictures that punch above their physical weight, and for artists who have been quietly underrated for too long. This pair is both. They are intimate enough to live with at close quarters and serious enough to repay any amount of looking. If the market has lately shown signs of catching up with eighteenth-century Irish painting and I think it has, these two small panels feel, to me, like exactly the sort of thing that will look obvious in twenty years’ time."








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